rad·i·cal /ˈradək(ə)l/: relating to, or proceeding from a root
Adriane R. Osborne believes that all art is personal and political. They approach pottery and photography with resistive intentions, choosing not to conform to societal or academic expectations. Many of their pieces include colors, techniques and textures that symbolically explore what it means for identities to transcend binaries, borders and other systems of oppression. They believe that art can be beautiful, functional and reflective of lived experiences while remaining connected to community in shared spaces and in struggle.
Adriane's artwork is highly influenced by their Appalachian roots and the experienced tug-of-war of overlapping identities and expectations, privileges and oppressions. From spinning wet clay between their hands to witnessing the post-firing color transformation, the pottery-making process represents a ceramic convergence of their roots, their identities, and their community. Using the earth as an art medium connects Adriane to their spiritual self in a way that feels both natural and radical.
Adriane’s work has been featured in several exhibits. They have received training from several esteemed artists and media, including Ronan Peterson and Annie Leibovitz/MasterClass.
